: Closing remarks

: Closing remarks

It's finally over.

Woohoo, I really want to cry when I finish typing the text.

I actually did it.

At the end of the 900,000-word long structure, the themes that I wanted to express at the beginning and the stories I wanted to tell at the beginning were all expressed and narrated without any deviation.

I have never written a novel with such a large structure and such a grand theme.

But, I really did woo woo woo.

In a situation that is almost equivalent to a single machine, I insisted on writing this novel. This is simply incredible.

The novel did really poorly, very poorly.

In the case of nearing the end, the 24-hour follow-up subscription is only 31, the overall subscription in a single day is occasionally only about 50, and more than 100 is a rare peak.

It's really, really bad. I have always believed that although this book has some shortcomings, such as the unsteady update, such as the unskilled plot design in the first volume.

However, he also has a lot to offer.

Ugh.

At least I think I work slowly and carefully, and the theme of each volume is well expressed, and the theme of each volume is also spiraling around the big theme of the book.

Moreover, except for the first volume, the plot design of each volume is not bad.

But, the grades are really... bad.

Really bad.

Really bad and bad.

Since volume 2, I've been getting knocked down by the ugliness of data and feedback, then taking a break to get back up, getting knocked down, and getting up again.

The motivation that keeps me coming back to continue writing every time is the original intention of this book when I first wrote it.

—Want to write a hymn to "Mystery" my way.

- In a well-planned work, I wrote about my love for "Mysterious" Klein, and my love for the "Secret" world constructed by squid.

I've written many, many reviews of books that are purely about praising Mysteries.

However, the more I write, the more I feel that it is not enough.

It is not enough to praise and praise simply from the perspective of the reader, from the perspective of God.

In the mysterious ending, Klein was just too lonely, too lonely, too lonely.

He is such a gentle person.

However, in the end, he could only sleep alone.

There is no one around, who he can face with sincerity without wearing a mask. There is no one that can make him really relax completely, can make him feel safe harbor.

He has to walk every step of the way, he has to carry everything on his shoulders.

And this is his own choice, as Klein, as a guardian.

I feel so sorry for Klein.

He should have had more.

The mystery has been repeated many times, and finally Klein's loneliness is the most difficult to let go of the whole book.

Even the death of Old Neil, Captain, and Ms. Daly, I can understand it from the perspective of the plot, and from the perspective of the world.

However, Klein's loneliness.

I can't take it.

I really can't take this ending with equanimity.

Therefore, Su Yuanning and "The Key of the Star" were born.

The original purpose of their coming to this world was to make Klein less lonely, and to allow Klein to "see" the world he guards, the world he loves deeply.

And the theme that runs through this book is also my subjective assumption about Klein's choice at the end of the first part of "The Lord of Mysteries".

I think he can win the battle with Tianzun.

able to wake up.

Able to high five with the little niece.

Can finally successfully protect the world.

This is because of - his humanity.

"There are always some things above others."

Humanity, the hope of human beings, the future of human beings, the expectations and struggles of all that human beings have for good things.

And this strong "belief", isn't it the "key" that leads to light and hope in the dark?

This is also what I imagined, one of the meanings of "The Key of the Star".

Of course, "Key of the Star" means more than this.

As the title of the book, the summary of the theme, and the title of the fifth volume, "The Key of the Star", there are many, many more things he can represent and narrate.

And precisely because he covers many, many, countless emotions and meanings.

Using only words and book reviews to describe my emotions is too pale and too weak to describe my love for "mystery", for Klein, and for the world created by squid.

I will keep writing this book.

Even if his grades were really bad, he made me toss and turn for countless days and nights, made me doubt myself, and made me feel that the response I received was far from proportional to the hard work I put in.

I did not give up, nor was I perfunctory, nor was I irresponsible, but I was loyal and faithful, regarding my understanding of the mystery, the world I hoped to be able to give Klein's company, and the world I hoped Klein could see, All written down.

Although this process is really painful.

It is true that writing and expressing are joyful. It is a joy to be able to document everything. In my writing, Klein is not so lonely. It is a joy to have someone to talk to and a friend to make friends with.

But writing is always about finding resonance.

There are no hymns that resonate.

When dedicating to the Lord of Faith, does it still make people feel regretful?

The answer is yes.

This may be the most regrettable thing about "The Key of the Star" written here.

Sadly, this is by far the best work I can write.

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After the emotion is finished, the technical and writing summaries are divided into different aspects.

(The long article summarizes the warning, nearly 10,000 words. If you need to read the information related to Fanwai, just turn to the end.)

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1. Theme of this book/Theme of this volume

- "When darkness comes, you must still remember the key named 'hope' in your hand."

This is the theme of Volume 5, and the theme of this book.

As mentioned before, this is my interpretation of "The Key of the Star". It is also my subjective assumption about the reason why Klein was able to wake up from his slumber.

This book is also conceived around this.

Su Yuanning was born with the mission of not making Klein too lonely. Therefore, before the story begins, he has a character symbol throughout.

"He's a light."

A beam of light that made Klein no longer lonely.

A beam of light that brought Klein out of the darkness.

His own meaning is "the key of the star".

(So, Su Yuanning will initially enter the gray fog to meet Zhou Mingrui, and will eventually enter the Fool's dream, which was decided at the beginning of the character's birth.)

Of course, as Abraham.

Ignatius Abraham, a classmate, is also the light of the Abraham family.

He also shoulders the responsibility of recasting the glory of Abraham and eradicating the evil.

Therefore, he is also a "light" for the Abraham family.

(Thus, the hidden dangers of the Abraham family become the book's only central secondary setting.)

However, it is not so easy to become the light of Zhou Mingrui and the light of Abraham.

Because, only in the dark, can we show the cherishing and preciousness of light.

Therefore, the character Su Yuanning was destined to suffer "suffering" from the very beginning of his birth, and he was bound to move forward in the dark.

Whether he likes it or not (laughs).

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Regarding the performance of the theme, the first volume is not listed because the related ability is not mature enough.

But in volumes 2, 3, 4, and 5 I think I'm doing a good job of expressing the "light".

The theme of each volume revolves around the "Star Key", and there are remarkable places in character design.

The characters have an upward spiral, as do the themes.

I said before that Su Yuanning's character growth line revolves around his understanding of the world. From knowing nothing, to gradually deepening, and then knowing the secret of being unable to return to his hometown, and finally reconciling.

Likewise, the expression of the character's core theme of "light" is in tune with the understanding of the world.

At the very beginning, Zhou Mingrui above the gray fog was the first "light" that Su Yuanning encountered when he came to this world.

It was Zhou Mingrui who made him see hope in this unaccompanied world. He's no longer alone, he's no longer hesitant, he's no longer overwhelmed, and he has a firm direction (though there are white lies in it).

Later, with the guidance of this beam of light, Su Yuanning gradually became a "light".

Although Backlund's water pollution was not voluntary, Su Yuanning shouldered the responsibility of guarding and became the "light" of Backlund, although no one knew about it.

In the Pelitzk defense battle, under the premise of knowing the danger in advance, Su Yuanning is also willing to take the initiative to face the difficulties and bring the "light" of hope to the people. This time, his fame has spread far and wide.

Finally, as Abraham, as the favored one of the fool, of course he cannot have this dazzling halo for no reason.

The gifts of fate are implicitly marked with prices.

However, Su Yuanning is as sweet as it is.

He would.

for Abraham.

for fools.

Bring light, bring hope.

Because Bethel Abraham and Klein Moretti are all "keys of hope" shining brightly.

Therefore, Su Yuanning is also willing to be their "key to the star".

Su Yuanning finally passed the full five volumes and grew up to nearly 900,000 words, and became a qualified "Star Key".

The thematic performance of this book and this volume came to an end in the inheritance of the three "Keys of Hope", "Bethel Abraham", "Klein Moretti" and "Igna Abraham".

And I am very satisfied with it.

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As the title and main intention and theme of this book, The Key of the Star has the following three levels of interpretation.

(1) The sequence of the protagonist. And the position of the sequence that will be reached with a high probability.

This is also the easiest layer to see (although it didn't really reach Sequence 1 at the end of the text, but according to the settings and the development of the article, I think there should be no surprises. And whether it can become the key of the star is also a small matter. Gram decides...I don't want to overtake it.)

(2) When darkness comes, the key to "hope (starlight/light that still shines.

① Each volume of the article constructs a dilemma, from small to large.

Obviously, every "dilemma" symbolizes a "darkness".

However, the protagonist is "The Key of the Star".

As a conceptual symbol of the growing "key of the star", he would rise after falling in the dirt and marching with a lamp in the dark.

②The characters surrounding the main line structure are also symbols of the "Key of Hope (Key of the Star.

This is explained in the last three chapters of Volume V.

The mysterious "Zion" throughout is the "key to hope" that solves the curse of Abraham's bloodline;

"Zhou Mingrui", who provides selfless help to the protagonist and accompanies the protagonist's growth, is the "key to hope" for the fool's return to humanity.

"Su Yuanning", who has gradually grown through countless trials, is another "key of hope" that can lead to the elimination of the curse of Abraham and the return of the fool's humanity;

(3) Inheritance between the three characters related to the "Key of the Star" intention.

Bethel Abraham, Klein Moretti, Igna Abraham.

(Sorry Amon (x))

Bethel gave up his life to protect the world.

Klein fell asleep in order to protect the world.

And Ignatius Abraham, as their inheritor, grew up constantly and hard, and finally took over the baton.

Became the "Key of the Star". (Although he doesn't have this Beyonder characteristic yet, haha, he will eventually have it, and in a symbolic sense, he already does.)

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It has been said many times before about the importance of a book's "theme".

I think this is the most important thing I learned from the squid summary.

In my opinion, the meaning of the existence of "theme" has the following two points:

- The original intention of this book is the top-level design of all plot design and character design.

- All characters and plots exist to serve the performance of the "theme".

When you don't know how to develop the plot, or there are countless possibilities for the plot, and the choice of characters cannot be determined (and this is a problem that many novice authors, including me, will encounter), the theme can become a light on the way forward. beacon.

He will tell you how you should make choices.

Because, all your plots are for the performance of this theme.

The emotions, attitudes, and values ​​contained in this topic are the meaning of your writing.

Of course, many online articles do not have such a theme.

Web text, it's cool. Who would want to get spiritual nourishment from web articles?

I know this is what most people think.

However, how others think about it has nothing to do with me.

As far as I am concerned, what I have been looking for in online novels is the emotions, attitudes and values ​​presented by the author in the article.

Of course I also like the thrill of perception.

However, I love the emotions, beliefs, attitudes and hopes that grow in the barren land that entertains to death.

Therefore, the Lord of Mysteries will become NO.1 in my mind.

And the existence of the "theme" in Lord of Mysteries is also one of the most important factors in my opinion that the Lord of Mysteries can become a "magical work".

He has a theme. And this theme is also full of humanistic concerns.

This makes Lord of Mysteries not just a cool article on the Internet, but an Internet "literature" with a literary nature.

Squid is a god.

Not only is the structure of the world view like a magical stroke, not only is the plot design ingenious and ingenious, but what is even more impressive is the light of the creator's ideals hidden between the lines.

This is a "my world".

And in this world there is something that "I" value most.

It should be seen by more people.

...the squid was blowing without knowing it...

cough. Back to the topic on topic.

As a novice writer of long novels, of course, I have also encountered moments when I do not know how to write the plot, and it is difficult for a character to determine how he will choose when faced with a difficult situation.

The existence of the theme perfectly solves this problem.

"Star Key"

- The key to "Hope (Starlight/Light that still shines when darkness comes.

This is the theme of this book.

Then, the plot of each volume must involve "darkness". And the "dark" coping strategy, in any case, should "glow with hope".

Therefore, from the first volume to the fifth volume, each volume is developed around the big theme.

And in order to better show the "theme".

The arc of the protagonist is also designed around the big theme.

From unacceptable, to passive but courageous, to taking the initiative, and finally, consider it as your mission.

The sub-volume of each volume of the main storyline, the difficulty of the plot involved can also be determined according to the theme.

The Key of the Star uses progressive writing that gradually deepens the topic, and the topic spirals upwards.

For now, this is a progression of themes that I can handle.

And the degree of completion is acceptable.

The transmission of the emotional part probably also achieved the expected effect.

All in all, the "theme" shared by the squid teacher.

Not only does it play the role of finishing touch and outline in large-scale novels, but also in small-scale short stories, "theme" also has this effect.

The theme is the idea that the author most wants to express in a book.

It also motivates the author to keep moving forward.

This is a story only you can tell, this is an idea only you can deliver.

If you don't write, no one will write.

So, novice authors who see here can also try this method and use it! It can play a very good role in the article of the drama style.

It can also allow writers who want to give up to regain a bit of courage.

Let's say thank you squid!

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2. Plot design

Before the book Star Key, I was very **** plot design.

The ability of plot design can almost see obvious progress in the book "Star Key".

And that's also thanks to "Master of Mysteries".

Because I like "Master of Mysteries" very much, I have brushed it many times. And, before the cryptic, I seldom saw such an elaborate conception. Especially the first volume is really shocking.

So, for the first time, I seriously dismantled a web article.

First time trying to think from my perspective.

"If I were to write an article with such a well-thought-out and complex worldview. How should I be able to be engaging with the squid, so engaging from the first chapter?" (Although it turned out that friends around me later Except for me, it seems that very few people get into the pit in the first chapter. But the first chapter of the mystery really loves me!)

"How should I express the wonderful world view step by step? Let the amount of information be given to the readers in the right way?"

"How should I design the plot so that the plot serves my worldview?"

"If the purpose is to express the worldview, how can I write the plot to be smoother?"

Then I came up with a few plot design experiences that I think are helpful to me, and now I will share them with you.

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(1) The worldview is the cornerstone.

When designing a worldview, no matter what the context is. There must be detailed and reasonable settings for the basic rules. This is the cornerstone of the plot design.

This is very important for authors who are fantasizing.

The laws of the world, how the world works.

First, it is the basis of whether a world is real.

Secondly, it is also the key to the design of many key difficult plots.

My first book was of the "fantasy" type. At first, I wanted to build a new system about zombies. Although there are some elements of Resident Evil in it, but more are framed by my ideas.

Before opening the book, I felt that my framework was complete enough. But when I actually started writing, I found that there are still many places that are not clear enough. Upgraded pattern, rhythm. The reasons for the incident are not sufficient.

Why does the protagonist do this? Why does the world work this way?

The Lord of Mysteries is not only very sophisticated with 22 potions system. Even the Law of Extraordinary Characteristics Aggregation and the Law of Indestructible Extraordinary Characteristics have provided important support for the operation of the world. It can become a real argument for the rationality of many plots and the rationality of the world.

Therefore, when I create the next fantasy work, I think it is still necessary to dig deeper into the worldview. Summarize the core "laws" and understand the action purpose and purpose of each force that appears in the article, so that the fantasy can have a "cornerstone".

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(2) The purpose of the plot

This discovery is based on thinking about why the "Five Pound Ambassador" appeared in the second volume of Lord of Mysteries.

From the reader's point of view, when I read the article, I really didn't think about why the five-pound ambassador would become the fuse for Sherlock Moriarty's series of times.

But what if you think about it from the author's point of view?

Why does this seemingly "nonsensical" event begin with the Five Pound Ambassador?

What is the reason for the appearance of this five-pound ambassador?

What kind of plot purpose does his existence achieve?

Then. Discovered the role that "plot purpose" can play in an article.

for example.

In my opinion, the "plot purposes" of the Five Pound Ambassador are mainly as follows. 1. Start Klein's life in Backlund. 2. (Important) The faceless potion formula and the main ingredients of the marionette master's potion. 3. The introduction of Sharon's plot (plot content related to the Prisoner's Path) 4. The launch of the "World" trumpet.

The most important goal to be achieved is to obtain the faceless potion formula and the main ingredients of the Puppet Master. (Related to subsequent upgrades and trumpet launch)

However, in the original design of the "worldview", the Beyonders connected with the "diver" pathway, except for Antigenus, who was closely related to the Church of the Evernight Goddess, were only the esoteric order.

So how did Klein in Loen (who was temporarily unable to contact the Church of the Evernight Goddess contact the Secret Order)?

The Secret Order is related to Intis, and in the next plot, on the one hand, Klein needs to integrate into Backlund, and on the other hand, he needs to introduce a new way that has not been introduced before to introduce my worldview to readers. So what should I do?

Sharon's sequence is higher than Klein's, indicating that Klein's crisis is more serious. What can a higher-level Beyonder of the esoteric order and a larger crisis be related to?

And then maybe, the ambassador of Intis could have espionage?

This caught up with the esoteric order, and also created a related crisis for the protagonist.

Ambassadors rarely come forward on their own, there must be a relevant downline. So in what ways can these downlines relate to Klein Moretti's Sherlock Moriarty?

Delegate? Activity? Missing?

So here, we can see that the story of the five-pound ambassador was born in this series of questions.

Summarize the plot design experience in one sentence.

It is very important to design the "plot purpose"!

The purpose of the plot includes but is not limited to the purpose of the main line promotion, the purpose of upgrading, and the emotional purpose that is hoped to be achieved.

The method of implementation is also very simple:

By constantly asking questions about the purpose of the plot, the logic chain of a story can be pushed backwards.

This kind of plot can effectively and reasonably promote the plot.

It's a great way to construct a plot!

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(3) What can I do when I don't know how to promote the plot?

I believe this is also a problem that many authors will encounter.

Generally speaking, as a writer, when I conceive a story, I usually come up with a powerful image, or a piece of emotion that makes people feel emotional.

However, how to transform "emotion" and "picture" into "story" is the time to test the author's skills.

As mentioned earlier, from the perspective of the whole book, the determination of the "theme" is an important starting point for determining the plot. He sets the tone and where the story goes.

However, there is an easy entry point for "first copy" and "connected copies" that don't know how to write.

- Put the protagonist in crisis.

- Crisis includes, but is not limited to, malice, life experience, slander, etc. of others.

In this regard, it can create a cool point of Shuangwen.

At the same time, promotion and "upgrade" can also be an important plot driving point.

Taking the protagonist's revenge complex as an example, this is very sensible, so it can also support at least one volume of "action motivation".

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(4) Shaping of supporting roles

This should have been put into the characterization. But I don't think there is any problem with the plot design.

Because "character shaping" is inseparable from "plot design".

And the original characters in "Key of the Star", except for the protagonist Su Yuanning.

The most impressive should be the roles of Jennings Wenzel and Joshua Leeds.

Members of the puppet circus are in the second echelon.

Michelle Watkins, Canterbury Boucher and Anthea Mirren were less impressive.

I have thought about the reasons carefully.

I think there is a key point.

"Whether it has helped the protagonist's growth. Whether they are closely related to the protagonist's growth on the [bright side]."

This is also a point that I discovered only after I hit the South Wall and broke blood.

For the author, every role is very important. They are all "characters" made by themselves.

However, for the readers, they don't care about the characters other than the protagonist. And the reason why the author wants to create a supporting role, to a certain extent, also hopes that readers can pay attention to other characters in this world besides the protagonist. They are also an important part of what the "world" is made of.

And the way to make readers "empathize" is to make these characters "have a strong connection" with the protagonist.

Taking the original work of "The Lord of Mysteries" as an example,

Everyone in the Tarot Club accompanied Xiao Ke all the way, so I won't say much.

In addition, there is also a "mentor", which is also an important entry point for supporting roles.

Such as Roselle, Old Neil, Captain, Chief, Mr. Azik, Snake.

Or someone related to the "life" or "career" of the protagonist.

Such as Miss Sharon, Miss Courier.

all in all.

When designing the plot that shapes the characters, we must pay attention to the content related to the "growth" of the protagonist, or "career, life, love and study".

Growth is best related to "preaching, accepting karma, and resolving doubts." Of course, "accompanying and resolving knots" is also very good.

Be sure to let the protagonist "grow" in some way.

This character will truly "live" in the eyes of readers.

So, I think the reason why Jennings Wenzel and Joshua Leeds will be loved by more readers may be because they are the two original characters in this book who helped Xiao Yi the most ( laugh).

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3. Character design

At the time of "theme" and "plot design", I have already put my thoughts on character design and said almost.

Because, in my opinion, the images of the "characters" are driven by the "plot", and their existence is to express the "theme".

In terms of the "design" of the characters, I don't think I have much "design".

Because there are only three original characters that can stand, Ignatius, Jennings, and Joshua.

Among these three characters, Igna is an extension of my rational thinking, and it is not difficult to write.

Jennings and Joshua are "Watson" and "Lestrade" I'm very familiar with, so it's easy to write.

Although they are not the image of the original Sherlock Holmes, the "forensic doctor + soldier + valiant and cheerful" dog line and "tired social animal + wanting to be promoted" mourning and responsible civil servants are really not difficult to perform.

For a relatively flat character performance, if you don't construct an arc, in fact, as long as you identify the most prominent features of the character's character, you can have a good grasp.

(For example, the original characters appearing in this book, I think they are relatively restored.)

And in this book, if you really want to talk about "design".

Personally, I think the circus characters in the first volume, as well as "Zion", were carefully designed by me.

However, the characters of the puppet circus did not stand up completely, so I will not list them for the time being.

But coming to "Zion"...

I think he's the only character other than Igna who has an "arc".

Zion, as a character who runs through the whole story, has no doubt played a pivotal role in the plot. Although there are not many appearances in the text.

But he himself is also the embodiment of an "intention" of "theme". So, how to express this character, how to make him three-dimensional. I also thought about it carefully.

First of all, in the plots of the early and middle stages, the "mystery" and "awe-inspiring" he showed are essential for high-ranking people. However, his "goodwill" can be used as a distinctive feature.

The contrast between "goodwill" and "mystery", as well as the confusing stance of good and evil, is the first impression I want to give readers. (This is also my first impression of Mr. Door.)

Then, it's just appearances.

In Zion's character design, the existence of "Zion" itself represents "hope"

He is the personification of Hope.

This is also what the reader will know about Zion in the end. (also my understanding of Mr. Door)

This constitutes a character arc.

Personally, I still think it's interesting to see such a contrast, from the mysterious to the sacred.

In the end, I am relatively satisfied with the performance of Zion's character arc.

Zion should also be regarded as a standing figure.

perhaps.

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4. Other

In fact, because of the poor grades, I don't have any "other" to share with you.

Because I have no idea what readers think about the plot.

Comments and subscriptions are appallingly low.

After the second volume, I basically did not receive any feedback from the outside world on the control of the climax plot (Tan Shou.jpg), so it was basically my own.

I have tried my best to do the best I can.

In terms of writing techniques, the experience I just shared on "article theme", "plot design" and "character design" is my biggest gain in "technical" in the two years of serialization.

Although there are still a lot of problems in my writing, such as the language is long-winded (.) However, I can only wait for the next book haha.

I feel that I have grown and improved a lot with this book.

As of now, although the grades are so bad, I am confident that I will have a good performance in the next book!

Mystery 1.5, which has absolutely no basis for any original plot, I can justify it (although I will be slapped in the face), and there is nothing original that I can't write. (bush

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However, after talking here, there are still some trivial things left, and I want to share with you who see it here

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(1) A small tip that can be shared with you

[When will the plot popularity of the mysterious colleague be higher? 】

Judging from the total amount of messages, the discussion rate will be higher when playing the mystery stalk, and then the disclosure of the secret is second.

In terms of subscriptions, there will be more subscriptions for plots (title names) related to Tarot Club, promotion, Zhou Mingrui, and the original main plot characters.

(If there are other fan writers who have read here, or are planning to have fans related to mystery, you can refer to these hot spots)

Judging from the feedback from the data and messages, the performance on the "topic" that I care about the most, cherish, proud of, and hope to get a response to.

Actually, haha ​​(dry laugh) not many readers care.

Although I can understand.

Just like the Lord of Mysteries, my greatest joy lies in the worldview with exquisite harmony, ingenious craftsmanship, and many real details, and the theme of humanistic care and the growth of the protagonist. (So ​​I got into the pit in the first chapter)

And the most refreshing thing for most people is... Klein appeared in front of the Fool in low sequence.

The coldness of the book "The Key of the Star" may be because he himself is a "minority".

As a web article and a fan of the web article, the "theme" of this book, as well as the "cool points" that focus on excavating, all focus on "humanistic care".

I know that the readers of Lord of Mysteries have all passed the initial reading threshold.

Well, actually... I have a hard time imagining... If I continue to write original web articles, what kind of cold my articles will look like...

At that time, it will directly face the largest market for online texts.

However, I will still write.

Because writing and structuring the world have become instinctive.

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(2) Next book

I don't know if anyone cares, but I'll say it anyway.

The next book is still in the making.

There are two ideas.

One is about cold weapon fighting competitions.

Big background science fiction, the main venue campus.

It may be more similar to the style of the dog food master, but I can't write the heroine, and I don't have to fall in love. (Of course there will be female characters, whether or not to fall in love... Let's see fortune or ()

The ideal is to write juvenile spirit, as well as teamwork. It feels like a volleyball boy(??)

Another one is about cultivating immortals.

Cultivation is the white moonlight in my mind.

However, even as a cultivator, I still want to rewrite the fight.

So, if I really want to write it, I might find a way to integrate the fighting into the upgrade system. I haven't figured out how to do it yet. But anyway, it's definitely about fighting.

I just wanna write fights (loud)

But this is just a plan, who knows if there will be any changes.

Maybe after watching Mystery 2, I can't help but start writing about Mystery 2's fans again ()

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(3) Xiaozhou Road Donation Fund

As of the time of writing this paragraph, my 24-hour chapter end subscription is 31, both are 261, and the high definition is 1064.

(Prove that this money is really hard-earned with data...)

And Xiao Zhou donated the road fund, including the reward, nearly 3,300 yuan in the past two years.

Lu, or Qu, has already donated.

The location, reason, and road condition information before the donation and repair were reported in the Easter Egg chapter at the starting point and in the circle of book friends, but I will write it again in the final testimonial.

Location: Qianan Village, Baju Town, Binhai County, YC City, JS Province

Donation and repairing situation: The long-term erosion of the main roads and canals of the village leads to the collapse of the embankment, which is a potential safety hazard.

Contact person: Deputy Secretary of the Village Committee

Donation and repair progress: The donation has been paid, the donation agreement has been signed, and the bidding is pending.

Donor names: Zhou Mingrui, Su Yuanning

Although this article is over, I will continue to follow up on the renovation of this small canal This is the road that everyone has determined.

It's really not easy!

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(4) About Fanwai

The story certainly (probably maybe) doesn't end abruptly here!

In the future, the plan (which may not keep up with the changes) will continue to update some of Xiaoyi's roaming experience in Xiaozhou's dreamland.

Maybe write some fan AU stalks, such as the battle royale and the like.

It will also (probably) explain Xiao Yi's promotion to "Planeswalker" and "Star Key", and the follow-up of "Joining the Tarot Club". UU reading www.uukanshu.com

If you are interested, you can also pay attention

Everyone who sees this should guess what tarot card Xiaoyi will use as a code name (laughs)

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(5) Finally

It's finally coming to the end here.

During the serialization of "Star Key", I gained a lot.

In addition to the remarkable progress in terms of personal writing techniques, I have also made many new friends.

Ameng, Xiaogui, Minghuo.

Book friend Gao Shaohan, the fool of the people, want to take Klein on a trip, I want to eat wine and rice balls, the clouds are light, the bamboo character is the first, the cold day milk jelly, the Amon No. 2, the cute bookworm, a diving trumpet, There are also book friends who can't remember the default name of the number, and all book friends who have given recommendation tickets, monthly tickets and rewards to the beginning of this article...

It was your support that gave me the courage to stand up when I was disgraced by data again and again and wanted to give up.

And I finally filled up the book group of 80 people.

And the codeword group that has consistently given me reminders and encouragement. Yu Ji, Ah Bing, Yang Zhi, Dali, Smash, Wei Wei, Wen Wen, Ah Xing, Qiufeng. The code word group is the eternal pure land in my fantasy world. There are also classmates Chris who gave me a switch, and Mr. Li who has been urging me to update the book.

Thank you Zhou Mingrui, thank you Su Yuanning, thank you squid for creating such a beautiful world.

Thank you for sticking to myself and not giving up until now.

Thank you also for seeing you here.

Last two wishes.

Hopefully my prophet potion or writer potion can digest some.

I also hope that one day, squid can read this book.

See you in the next book, or see you in the next book!

Bye bye