Chapter 494: This is the reason
After a long period of time and ruin, the gold waste capital Allamanda has lost its former glory, although the ruins are still brilliant, but the ruins are full of walls. There are rare buildings in the city, and only the most important and extraordinarily strong things are preserved.
One of the key facilities known as the Tower of Promotion is one of them.
This is a pentagon-shaped tower with a base of 100 meters and a large scale. Except for the gate at the bottom, there are no doors and windows on the entire spire. On the smooth pale gold facade, only some unidentified bumps and metal brackets like antennas can be seen. With the chaotic memory in her mind, Anna led the people to find the door to the tower. The door was broken and the whole was torn out radially. It seems that something had been forced out from it to leave this. Huge hole.
Hao Ren took the lead and walked in front. Then he was surprised to find that the windowless building was very bright: there were many light beams of unknown origin from above, and the hall on the first floor of the tower was as bright as white. The thin dust and fog around the beams of light give a sense of inexplicable ethereality: it is not difficult to imagine what a sacred place was here.
The high-rise tower has no complicated structure, it is a magnificent hall, and the most incredible thing is that there is no pillar support here, and the height of the whole tower is hundreds of meters. This unsupported base hall makes people I have to marvel at the old towers, ↑, ww∽. A circle of golden devices can be seen around the hall. These devices are about one meter long and the upper surface is inclined. It seems to be some kind of console. Lily curiously patted the column and found no response.
"Don't think about it. These things don't even have the energy to get them started," Hao Ren said, holding his arms around the hall. Suddenly I saw the delicate patterns on the walls of some places. "Hey, look at this, it seems to be the murals left by the Tana people."
The crowd was immediately attracted. Hao Ren found the starting point of those murals. He looked at the things recorded above in amazement: it was not a scene that was earth-shattering, no heroes and mythological images, nor exquisite and flamboyant decorative paintings. It's a very simple everyday thing.
They portray the entire civilization of the Tana people.
On the first mural. The Tana people live in the coastal areas, they are an amphibious creature that gradually moves closer to pure land life due to some changes in the marine environment. They built their houses on the shoreline in primitive water grass and animal skins, adapted to drought, hunted land animals, and ignited the first bonfire of civilization.
On the second mural, the Tana people have faded their scales and evolved the structure of their fingers. The environment in which they lived clearly shifted from tidal flats and swamps to a drier plain. They built villages on the grasslands, captive animals, planting and harvesting.
They built the city and developed metal tools. Learning how to smelt and make alloys, they understand the power of “electricity” from natural phenomena, and then quickly combine this power with some spiritual ability inherent in their own race. In the later murals, it can be seen that the Tana people held a ceremony around a tall metal pillar. Lightning bombarded the pillars, and another wonderful energy resonated with the body of the Tana.
They live. Learn and temper your own spiritual power. Their innate ability to evolve quickly makes it easier for them to gain strength from nature. They explored their entire planet and built great information networks and global energy broadcasting systems. They even developed aerospace technology and some space technology. However, their most powerful is still a wonderful skill called "soul ability", which is the result of their continuous evolution of their spiritual talent. Wonderful skills are also the only hope for the Tana people to save themselves when the catastrophe comes.
Yes, the catastrophe, everything changed in the late murals, and some kind of unspeakable disaster broke out on the planet. The power of the Tana people is not worth mentioning in the face of this disaster. Their magnificent cities, which were cast from metal, were uprooted and their weapons of war had no effect on the enemy. The murals show the tragic situation of the Tana people being slaughtered by one side. The flames of war burned the entire planet, but the face of the enemy was always a frantic line. It seems that it is difficult for people who leave these murals to describe in a logical way what their enemies are. He can only use a group of shadows and curves to express a disaster, and hundreds of millions of Tana. People are on the verge of extinction in those frantic lines.
In the end, the only survivors retreated to the three cities on the planet. The murals used exaggerated pictures to describe the three cities: they were cast from metal, covered in layers of protective walls and energy protection. Under the shield, the outside of the city is boundless chaos and death. Survivors have been lingering in the city's wall for several years, but the city's wall has been weakened by the erosion of disaster forces, and the demise has become an inevitable.
Anna stroked the lines on the murals: "This is the 'natural disaster of origin', and the power of mortals cannot be opposed. Finally, the Tana people finally realized the certain law of this disaster, and they decided to change their life form. survive"
Anna said, raising her finger to the last mural.
The lines on the murals are simple, the grand and complex material world is hidden. A Tana is suspended in the air, and his half body has turned into a misty phantom, which represents a change in the form of life. At the bottom of the picture is a messy line that represents a disaster. This mural seems to be a picture of the Tana people who finally got rid of the disaster after changing their life form.
Anna sighed, and the last piece of memory in her mind pieced together: "They left these murals to record the course of their civilization, because the Tana people are not sure what happens after they turn into spiritual creatures, in order to deal with the worst. In the case, they left this simple and straightforward record in many buildings to ensure that other intelligent creatures who visit the planet one day later can know what kind of race they have survived."
"Then the Tana people became such an anger," Vivian frowned and shook her head. "But the anger they turned into did not show a little bit of logic, let alone the higher intelligence, they even like Natural phenomena are just as irrational."
Nangong Sanba scratched his hair: "What is the disaster mentioned above?"
Hao Ren took a breath, a vague speculation gradually formed in his mind. He glanced at the scene depicted on the last few murals and suddenly ran to the hall exit: "Follow me!"
The people did not know why they followed the past. Hao Ren led them to a high platform that had passed before. Anna could not climb such a steep building, and Lily put her on her shoulder. A group of people climbed the platform and came to a position that could overlook the high walls of the city, so the sight of the thick protective walls of Alamanda was clear at a glance.
Outside the city is an original and ridiculous land, and it presents an unusually horrific scene: the ground is covered with huge gullies and giant pits, like a giant face covered with potholes, and there is an unprecedented giant on the city side. The crater, the scale of the crater is almost suspicion that it has penetrated the core of the planet below it. Among the numerous gullies and potholes, the most shocking are the scalp and tingling tentacles.
eldest son.
"I know..." Hao Ren swallowed. "This place has the same thing as Holleta."
Nangong swayed in May and whispered with a scream: "God..."
"This planet is worse than Holleta. The eldest son has apparently completed the cleaning of the second son," Vivian frowned, looking back at Alamanda, which had only a broken wall. "Tower The people are extinct."
Both Anna and Nangong Sanba were the first to see this horrible and sultry thing. The latter was a bit better for the demon hunter. The former was shaken twice, almost directly fainting: she bears There is a double fear, one from her human instinct, and the other from the memory of the remaining anger in her mind. She is now almost half a Tana, and she almost fainted when she saw the tentacles that destroyed the entire civilization.
This is the disaster faced by the Tana people, the reason why they have to give up their bodies and transform their forms of life.
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