Chapter 1418: Volume 88 of the Gods (Part 2) (Updated!

Chapter 1418: Volume 88 of the Gods (Part 2) (Updated!

Chapter 1423 Eighty-Eight Immortals Scroll (Part 2) (Additional Update!)

"Eighty-Eight Immortals Scroll, this is being shredded and turned into nothingness under the operation of the law of nature!" Ji Xingzhou was filled with regret and could not suppress his emotions.

Compared to him, Su Wu was calm and composed. He spread the rice paper on the iron table in the thatched cottage to form a long scroll, and then picked up the brush on the corner of the table and wrote on the rice paper.

Ji Xingzhou watched Su Wu's writing as fast as flying and flowing like clouds and water, so he had to suppress his emotions and see what Su Wu was drawing - his eyes fell on Su Wu's brushstrokes, and after a moment he found that what Su Wu was drawing was the 'Eighty-Seven Immortals Scroll'!

As time passed, the eighty-seven gods all appeared on the paper.

Their spirituality was bright, and they were not damaged at all!

This situation made Ji Xingzhou feel that the scene of the law of nature shredding the eighty-seven painted gods that he saw at that time seemed like an illusion!

But how could such a real illusion be possible?

Ji Xingzhou looked at the eighty-seven gods with bright spirituality, and thought of the Xuanhuang Law that Su Wu had previously unfolded, as if he had taken something from the eighty-seven gods. He said thoughtfully: "The 'Xuanbian Immortal' has been listed in the law?"

The eighty-seven gods in the painting are as spiritually condensed as before.

In addition, they are faintly lingering with a hint of Xuanhuang charm, which is secretly related to Su Wu's Huangtian Law.

Su Wu put down his pen, looked down at the long scroll on the table, and said: "The Scroll of Eighty-Eight Immortals was originally a famous painting with the same name as the "Hell Transformation Picture".

The Hell Transformation Picture came later and surpassed the "Scroll of Eighty-Eight Immortals".

I originally thought that the reason why this Scroll of Eighty-Seven Immortals became famous in the Tang Dynasty was because Wu Daozi had a magnificent imagination. He first put his imagination into his pen and sketched out the eighty-seven gods in his mind, but compared with his "Hell Transformation Picture", it is actually not as good as the latter.

Wu Daozi, who painted the "Hell Transformation Picture", has more sophisticated painting skills and his understanding of the art of painting has surpassed Ancients. This painting was made by Wu Daozi during his peak period, so it should be his most peak work.

But now that I have seen this "Eighty-eight Immortals Scroll" with my own eyes, I know that the reason why this painting is not as good as the "Hell Transformation Picture" in the later Dongliu Island is that the "Mysterious Immortal" in the painting was taken away by the sky. This finishing touch was taken away by the sky, and the eighty-eight became eighty-seven, which is more than one level inferior to the Hell Transformation Picture.

Fortunately, the "Mysterious Immortal" was successfully retained today.

Wu Daozi is just a talented mortal painter. Why can the scroll containing his thoughts and spirituality be used by people and finally fight against ghosts? King, Tiangui?

When we were ordinary people, we were so weak, how could we resist terror and face disasters in the end?

Why can human nature compete with heaven?

Is everything destined from the beginning? Are kings, princes, generals and ministers of different species?

Not so.

The development of all kinds of things cannot be without the participation of "variables".

Because only by striving for change can there be innovation.

And now the old heaven is unwilling to see the emergence of "variables". "

Su Wu looked at Ji Xingzhou and continued: "I told you before that the creation of the living man A, although it still needs the help of the old heaven's charm at the beginning, as many craftsmen The deeper the study of Yi Li, the deeper the understanding of "Heavenly Principle", the creation of this living person Jia must eventually be separated from the present Heaven.

Otherwise, what is the difference between our creation of Jia today and the creation of living people Jia by the Tang people in real history? If we can't even get out of the shadow of our predecessors, how can we talk about the road of innovation?

Now, the variables have already happened.

The shadow of the past will still affect the present, but we are no longer within the scope of the shadow of the past. "

"Just because the "variable" copied by Wu Daozi was not taken away by the sky, but was taken away by your law?" Ji Xingzhou said in doubt.

"That's right."

Su Wu nodded.

The Huangtian Law suddenly unfolded behind him. The so-called "Xuanbian Immortal" did not appear on the law, but the aura of the whole Huangtian Law was floating at this time, which made Ji Xingzhou feel unpredictable and unpredictable.

"For example, some people have millions of dollars, and some people are penniless.

But under the variable, the two can still compete with each other. The so-called millionaire may lose everything and even his life due to the variable, while the penniless may take the opportunity to rise to prominence.

Of course, under the variable, there may be another opposite result.

No matter what, under the variable, everything is equal.

The earth-shaking begins here." Su Wu's eyes were burning, "From now on, the craftsmen of the Divine Works Bureau will first aim to create the clothes and armor worn by the '32 Heavenly Guards' and '17 Female Officials' in the 'Eighty-Eight Immortals Scroll'. After that, they can create clothes and armor of different difficulty levels according to the difficulty. , gradually forging the armor for the 'Eighteen Gods', then the 'Five Elements Boy Armor', then the 'Immortal Lord Armor', and the 'Armor of All Saints'.

Under the variables, the levels of the various armors covered by this 88 Immortal Scroll are not constant, nor will the power decrease as more copies are made.

The level of living human armor that can be forged depends entirely on the personal efforts, talents, and materials used for the armor.

In this way, the ghost workers who forged the armor for the five saints such as 'Donghua Tiandijun', 'Nanji Tiandijun', and 'Fusang Dadijun' are called 'Ghost Masters'.

The ghost workers who forged the armor for the seven immortals such as 'Huode Xianjun' and 'Chiming Xianjun' are called 'Masters'.

The ghost craftsmen who refine the clothes and armor worn by the Five Elements Boys such as the ‘Golden Light and Bixia Boy’, ‘Haiyun Xuanyin Boy’ and so on are called ‘great craftsmen’…”

According to the levels of immortals in the Eighty-eight Immortals Volume, Su Wu divided Hangui craftsmen into five levels from low to high for refining the armors worn by gods and spirits, namely, 'Hangui master', 'everyone', and 'great craftsman'. ', 'craftsman', 'craftsman'.

The charm remains in the Eighty-eight Immortal Volumes. Due to the existence of this 'immortal of metamorphosis', it can be constantly renewed like running water. The craftsman understands that the charm of the painting inside is used to create a human armor, and it will not be like creating a 'shuang'. Refining armor is like making human armor. The more human armors are reproduced, the more levels that can restrain Li Gui become attenuated.

As Su Wu said, what level of human armor can be created by using the 'Eighty-eight Immortal Scrolls' depends entirely on the efforts and talent of the craftsman. As for the quality of the materials used at that time, the higher the talent, the more effort will be required. , the higher the level of the created human being will naturally be!

And the so-called 'talent' can actually be said to be a 'flash of inspiration' or a 'change of events'.

Ji Xingzhou nodded, took note of what Su Wu explained at the moment, and then said: "On top of the Five Saints, there are the 'Three Saints' of the Queen Mother of the West, Guanyin Bodhisattva, and Taishang Laojun.

These three charms..."

Now he is not sure about the charm of these three imitation paintings.

Su Wu smiled and said: "Just like you and I have discussed before, we will work together to create the armor for the 'three statues'. Later, if the craftsman can create the armor of the three statues, it can be called a 'magic work'."

"Good!" Ji Xingzhou looked satisfied and praised.